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In the early 80’s I made a series of paintings, the Pixelized Cows, simulating the low resolution images generated by the computers of the time. I had taken pictures of cows, and with the tools of the ENSAD video workshop, I captured them, embedded them into each other, colored, with the intention of finding a new way of representing them and making paintings. In the late 1980s, the first microcomputers appeared. Since the early 90s I was able to transform the images I captured with a black and white video surveillance camera after having recovered them from the press (as artists do today with the Internet). These numerous and infinitely manipulable images having no support (except the screen), I imagined objects on which they could be applied, and installations on themes related to the profusion of images: Zapping, Image cocoon, Image flow, Image packages, Homage to Monet. From 1994 to 1996, to realize the Packages d’Europe installation, I traveled across our continent to take pictures. Each object in this installation is like a snapshot of Europe because I have mixed photos from several countries, while systematically repeating the same themes: architecture, industry, portrait, landscape, war. There, the computer was used to transform the colours, the brightness, sometimes the composition, so that the photos could play together within the same object. It took another two years to complete and I first presented this work in England at the Kent Institute of Art and Design in 1998. From 1999 to 2005, and still based on the photographs I had taken in Europe, I created three interactive travel diaries: Moving Tables: The Port of Rotterdam, La Ruhr, Ireland, and the dvd video version of the Port of Rotterdam. In 2006, after the trips to European cities, the installation of photographs and animated films, I started painting again, which I do in parallel with photography. These trips gave me a new taste for photography, and new subjects: urban landscapes and consequently, people in the city.
ENSAD diploma, visual communication
Seminar by Hubert Damish, École pratique des hautes études
Poster internship, Academy of Fine Arts, Warsaw, Poland
Video internship, ENSAD, Don Foresta’s workshop
Multimedia internship, CFPJ, Paris
Large format photography internship and studio, Jean Verdier Center, Paris
Video internship, documentary design and production, Centre Jemmapes, Paris
Painting, drawing, fine arts workshops of the City of Paris
Rough-storyboard, municipal adult courts of the City of Paris
Web design, municipal adult courts of the City of Paris
Responsive Web Design, Mediabox, Paris
Drawing, studio of the Grande Chaumière, Paris
Exhibitions since 2010 :
2018: Redo the wall, painting, Celsa Hors les murs, Ivry-sur-Seine - Salon d’Automne, photography, Paris
2017: Salon Artistes français, peinture, Grand Palais, Paris - Paris Artists, photography at the Bastille Design Center, painting at the Lycée Jacques Decour, Paris - Salon d’Automne, photographie, Paris - Salon national des beaux arts, photographie, Carrousel du Louvre, Paris
2016 : Paris Artists/Objective Women, photography, Mairie du 9e, Paris - Salon national des beaux arts, photography, Carrousel du Louvre, Paris
2015: Salon national des beaux arts, Carrousel du Louvre, photographie et peinture, Paris - Salon Figuration critique, photographie, Bastille Design Center, Paris - À l’origine, peinture, Galerie du Montparnasse, Paris - Ateliers Beaux arts de la ville de Paris, peinture, dessin
2014: Fine Arts Workshops of the City of Paris
2013: Winter, Palais des congrès, Montreuil-sur-Seine - Fine Arts Workshops in Paris
2012: Digital art festival, Verrières-le-Buisson
2011: Dead memories, photographs, reception area of the flea market, Saint-Ouen
2011-2009: Fine Arts Workshops of the City of Paris