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I paint portraits that try to extract themselves from a fragmented mineral condition to claim their share of humanity, their breath of life. This emphasis on a duality between living and inorganic matter within a single entity allows, in my opinion, the expression of a force as graphic as it is sensory, because it is not only faces that I try to represent, but also facial sensations. Concerning my technique, I use the painting knife as my main tool because it allows me to easily produce material effects. Projected in random directions, these effects generate graphic accidents that confer a musicality, a dynamic to the whole work. These accumulations of wheelbases also give rise to pictorial chaos, a visual confusion that, in a closer reading of the painting, offers the viewer the possibility of contemplating abstract landscapes within the face itself. It is with this double reading that I try to infuse my portraits with an enigmatic depth.
3 years of study of the living model at the School of Fine Arts in Nantes
Former member of the Paty Métiers d'Art association.
Great Contemporary Art Market (75)
Grand Salon d'Art Affordable (75)
Salon des indépendants (28)
Creative market Bastille (75)
Art Up Gallery (75)
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France
