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Profil angulaire

$209

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Delivered with a certificate of authenticity

Technique
Ink drawing
Type
One of a kind work
Material
Paper
Dimensions
20 x 25 cm
Framing
Yes (33 x 42 cm)
Quality Guarantee
Sold with a certificate of authenticity

Ink, acrylic on paper, framed. Duga is in perpetual questioning about Man, for a work without end, because he knows that his questions will remain unanswered. It is Man who interests him; his inner life, his sufferings, his joys, his sadness, his contradictions, his fears, his loneliness, his demons, his origins, his social life. Sometimes it is his private life that he talks about. His techniques are varied: painting and drawing on all supports, sculpture (wood and bronze). He loves black which he likes to confront with other colours and continues to use the continuous line.

artist avatar

Christian DUGArdeyn

Emerging artist Emerging artist
Best seller Best seller

155 fans

Ways, Belgium

142 works

Through the use of a multitude of artistic mediums ranging from painting to sculpture, DUGA, brings together a particular aesthetic in his works. This Belgian artist finds his roots, his influences, in the primitive arts, African art, Oceanic art, Amerindian art, brut art but also in naive art.

Detach from academicism to create your own style

Born in 1963 in Brussels, Christian Dugardeyn (alias DUGA) is an artist belonging to the Free Expression movement. After an essential stint at the Fine Arts, he quickly freed himself from the artistic techniques taught to refocus on his instinctive emotions. He paints and sculpts viscerally, in a state of regression and on the fringes of contemporary artistic trends.

The reappropriation of his influences to give shape to his emotions

DUGA gives free rein to his emotions through different techniques: drawing, painting and sculpture. Among the contemporary artists who have permeated his work, we find among others Basquiat and Combas. From the free figuration movement, DUGA is notably inspired by Aléchinsky, Appel and the Cobra group. Without forgetting Picasso, Schiele and Expressionism as well as Dubuffet, Art Brut and Street Art. According to him, an artist cannot remain isolated in his corner, he must open up, soak up influences from the past in order to reshape them and create.

In Picasso, Basquiat and in Street Art, it is the deformations of the characters that interests him, with the preservation of a certain anatomical fidelity and gesturality. From Street Art, writings and graffiti, he particularly retains the fluidity and speed of the gesture as well as the explosion of colors.

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