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Delanda carthago

$4,243
Drawing
One of a kind work
56 x 76 cm
Recipient of the dedication:

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Technique
Ink drawing
Type
One of a kind work
Material
Paper
Dimensions
56 x 76 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

Excerpt from the series " au regard se croisent des civilisations"
The work is freehand made with Indian ink and graphite according to the traitillist technique.
The series includes allegories of civilisations that have disappeared or are in the process of becoming so (Carthage, Pompeii, Shanzi, Theotihuacan, AngkorVat, Mandu, Hashima, Massada, etc.). Taken from excerpts from the original plans, the works are re-articulated and re-interpreted through the juxtaposition of perspectives and symbols generating urban artefacts in a gravity devoid of all temporality; thus underlining the evolution and mortality of architectural and urban writings in relation to the scale of Man remaining frozen and immutable in time.

This Atlas of lost, found and future civilizations reveals the power of Man in his societal needs, allowing him to continually tame the territory to generate new urban and architectural organisms. The madness of the wise and the wisdom of the foolish have scattered many acts in the art of building that we will describe as gargantuan.

artist avatar

Marc Brousse

Renowned Artist Renowned Artist

8 fans

33200 - Bordeaux (33), France

18 works

"Life is a line, thought is a line, every line is a vision of space and the world." The artist approaches from this hypothesis a research work on the line, the power of its soul in the mechanisms of spatial composition, to see the evolution of an infinitesimal abstract construction towards a movement forming a space, a figurative perimeter. Marc thus deploys a new artistic language called traitillism by reinterpreting a technique initiated by Paul Clodel Cochard, juxtaposed with the codes of architectural representations to reveal the intimate relationship that exists between Man, his Architecture and that of Nature. The first visible influence results from the artist's fascination with the art of building, the history of civilizations, religions and myths. Through his works, the artist tends to generate urban poetry at different scales of reading, from cities to intriguing architectures and offbeat symbolic components. "The line is between two moments". The line represents a quantity of time, describing a movement. Thus the eye that fixes the line captures time and gives it form. This makes it possible to transpose the architectural and urban organism (like a living organism) to different scales of readings and to transform measurements into imaginations. Thus Marc binds, rhythms and juxtaposes the line infinitely to deploy figures generating a series of metamorphoses, allegories inflecting with our preconceived ideas, based on reason and normality. "Each city, urban artefact is a unique 'species'". During his travels, the artist has noticed that cultural and architectural development follows the epigenetic concept. "Each city is a unique organism in the sense that its juxtaposition of lines and built-up spaces constitute the epigenetic program of that place." Epigenesis - as a principle of development where each building not only echoes the existing environment but adds something new and dynamic to the city. Since 2019, Marc has been exploring different mediums in collaboration with other artists (Sculpture, Stone Engravings, Video, Writings, Sound Composition) always with the aim of revealing the fundamental values of our environment such as architecture, the nature city which form the basis of a vector of social relationship and unification.

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