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Muriel BESNARDMégalithes III

Confirmed artist
Drawing
One of a kind work | Framed and Ready to Hang
40 W x 30 H cm
$379
Recipient of the dedication:

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Technique
Ink drawing
Type
One of a kind work
Material
Paper
Dimensions
40 W x 30 H cm
Framing
Yes (41 W x 31 H cm)
Quality Guarantee
Sold with a certificate of authenticity

Muriel Besnard lives in a region where megaliths are omnipresent. To paint them is for her like an evidence.

Vestiges of ancestor worship, telluric or cosmic mystics, shamanic mediations, these spaces still exert on us their mysterious fascination.

Painted with Asian inks and brushes, here is a work created on mulberry paper called Xuan. It was then marouflaged on 325 gr/m² cotton paper.

Muriel BESNARD
France
Confirmed artist
  • KAZoART artist since 2021
  • 36 works

Intuitive methods discovered through experience: Trained in Asian arts, Muriel Besnard focuses on the use of the breath, on the intensity of presence and on the commitment of the body necessary for the liberation of the gesture. The use of the spirit breath and the act of painting become inseparable.

The hand takes power: Attach itself to posture, to anchoring to the ground, to the links between the movements of the breath and the full-and-looseness of body language. Thus arises an alchemical relation to matter. The spirit of the Tao leaves its mark and each painting is experienced as an initiatory journey.

Living according to the Spirit of the Valley: This consists of embracing the moving flow of reality to better evoke the telluric energy of Shan Shui (litt. Mountains & Waters). A completed work gives a concrete appearance to this contemplative state which can only be achieved and shared through art and poetry.

With one intention but without a goal: To throw oneself on the sheet like one throws oneself in the water. The project develops as the process progresses. From the creative dialogue will be born the work, line after line, key after key, to compose a harmonic Whole which will be more than the sum of its parts.

Muriel Besnard's landscape creations speak of the evanescence of things: Veil and reveal, bring out and blend. Vaporous distances open onto the immensity, thus freeing up breathing spaces. The perspective is atmospheric, the points of view are multiple to evoke this nature of which we are only an expression. It is about exploring its innumerable potentialities and its fluid and fluid forms.

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