L'entrée en matière

$1,537
Drawing
One of a kind work
80 x 120 cm
Recipient of the dedication:

Free delivery (Continental France)
Livraison : The artist is temporarily absent from their studio. The soonest they will be able to ship the work is 22/08/2020.
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Delivered with a certificate of authenticity

Technique
Mixed media
Type
One of a kind work
Material
Canvas
Dimensions
80 x 120 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

It is a collage made from samples (sometimes the size of a nail) taken from European books and magazines such as National Geographic, Geo, Terres Sauvages, London Review Illustrated, etc. The nature of the samples is essentially a matter of natural expression - tormented rock surfaces, foliage, cork oak trunks, anything that can make a graphic storm.

The ostensible intrusion of geometric forms, very rare in the productions, all the more underlined by the band of colour (acrylic), creates a kind of "opening", an "entrance", which plays on the semantic axis that connects the latter to the skeleton coiled up integrated into the composition - content of one of these jars, pre-columbian funeral urns, cultural practice (and worship?) of which we ignore almost everything.

Gluing glued on canvas frame.

artist avatar

Cédric Urbaniak

7 fans

AMIENS (80), FRANCE

39 works

After a course in Art History and Modern Letters, I spent 12 years on the roads, a backpack, a tent for a palace. But I lived mainly in the woods, mountain ranges, steppes, etc., in Norway, Finland, Mongolia, Chilean and Argentine Patagonia, Turkey, Iran, Pakistan, Southwest China, Alaska and Canada, Indonesia and Ladakh (Indian Himalayas). While immersed in these different natural environments, I was more and more sensitive to the richness of the textures of mud, rocks, bark, etc., and in general, to the ability of the material to reinvent its incarnations. In addition to the teachings that come from living outside the circle of one's birth, it is through daily contact with this multiplicity of biotopes and these elementary forces that I have been tempted to summon them to surfaces. Exercises of celebration of matter, perhaps these collages are only vain but irrepressible attempts to express a certain religiosity - in the sense of religare, which links (cf. Hölderlin : "Aren't all the living of your family?") - and that these worlds haunted by the manifestations of the world are their magmatic transposition vomited by the desire to still enjoy the wealth of the living.

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