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Emmanuelle MasonLa pisseuse (série les petites filles)

Drawing
One of a kind work
22 W x 22 H cm
$862
Recipient of the dedication:

$65 Shipping (France)
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Technique
Mixed media
Type
One of a kind work
Dimensions
22 W x 22 H cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

"This new series, in a light but also a little bit squeaky tone, tries to "get to the heart" of scenes related to motherhood, and to the bittersweet register of the relationship we have with our children. To tackle this theme related to my daily life and my experience as a mother, I chose to use embroidery. The art of embroidery has long been the means of educating women to the female ideal but it has also provided them with a weapon to resist the constraints of femininity. I embroider to talk about "little things" from my experience as a mother and wife, and making these "little things" visible in the field of art is for me an act of subversion." - Emmanuelle Mason

Emmanuelle Mason
France
  • KAZoART artist since 2020
  • 16 works sold
  • 76 works
I mainly present my graphic work on Kazoart. Indeed, for the past 8 years, I have never stopped questioning drawing, in a way where paper becomes a body, a territory, a "milieu". Sometimes it is the paper itself that becomes a drawing, as I cut it, burn it, I present here different series: - The lace series (in progress) - The erotic drawings series ("cut" and "burn") (in progress) - The disaster series (mainly Syria) - The still life series As well as some special works, in these series, we always find an ambiguity, a fascinated and insurgent look on a world that I can hardly bear. I point, with the tip of my pen, sometimes the unspeakable, sometimes the micro-drama, sometimes the illness or the state of love. My subjects are not always easy, sometimes terrible, but always treated with delicacy, the virtuosity of the facture "trapping" the gaze that would usually turn away. I try to replay this question of the sublime: what is beautiful and frightening at the same time. Even when my work gets tender, there is a cut, a burn, that tries to take care of the more ambiguous tone of the subject.
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