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Julie BalsauxLe multiple des lucarnes

Emerging artist
Drawing
One of a kind work
30 W x 42 H cm
$1,196
Recipient of the dedication:

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Technique
Pencil drawing
Type
One of a kind work
Material
Paper
Dimensions
30 W x 42 H cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

The window is a gap through which we look. The social networks create a window on a moment t.

At the time of the confinement "the effect" window of these networks have triggered multiple reactions, on the sanitary crisis bound to the coronavirus. Here, the glances, the skylights, are multiple but are repeated, apostrophizing the observer in the manner of 1984 where the telecoms allow the police of the Thought to see what is done in each room where somebody is. The central character, masked, takes up the code of the portrait used in the history of art. The practice of portraiture is intended to reflect the expression of society and its evolution at a given time.

This drawing speaks about this state of uneasiness, about this multiple of the skylights opened to an increased rise of "everyone has something to say" at the same time as the glance under the masks became in real our means of communication.

Julie Balsaux
France
Emerging artist
  • KAZoART artist since 2016
  • 13 works sold
  • 97 works

Julie Balsaux is one of those people who only stand up for themselves because they keep moving forward, acting and inventing, and first and foremost their lives, every day, as if they were under the immediate threat of bottomless despair. Because they have to launch a paper plane against the absurdity of the world, and the world is heavy, it is always a question of tearing themselves off the ground, of creating the momentum of a jump that we would like to last infinitely long. So we are somewhere between the energy of the gesture and the slow movement of the clouds. Drawing, installation, writing, sound proposals, each piece is an attempt to talk about the world while escaping it. Each idea opens with a challenge, the confrontation with manufacturing, the pleasure of a technical and artisanal implementation, and the desire that this manipulation disappears in a joyful and yet derisory jubilation / Jean Cristofol 2012.

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