Residing in Bordeaux, Angèle first seized the monsters of the daily life in notebooks. One day she freed them, let them take more places, became bigger. Several techniques are used, including pencils, markers, inks and acrylic paints. His approach follows the singular, raw currents, an outsider art without intensive preparation stages but more spontaneous and woven, halfway between abstraction and illustration. According to desires and emotions, she catches what surrounds her, a bazaar world and social ties in perpetual movement, and cajoles them.