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A l'écoute de la nature

$239
Drawing
One of a kind work | Framed and Ready to Hang
25 x 20 cm
Recipient of the dedication:

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Delivered with a certificate of authenticity

Technique
Pencil drawing
Type
One of a kind work
Material
Paper
Dimensions
25 x 20 cm
Framing
Yes (42 x 33 cm)
Quality Guarantee
Sold with a certificate of authenticity

Acrylic on paper, framed. The recurring theme of DUGA's work is the human being, his joys, his happiness, his difficulties in living in this world, his sadness, his loneliness, his passions, his cruelties, his contradictions, his stories and his little everyday stories. His work is expressionist. His work is instinctive, spontaneous, close to raw art. He doesn't know where he's going when he starts a painting. It evolves from hour to hour and often when he decides to stop, the canvas has completely evolved in a different direction than the one at the beginning. The theme here is that of man within nature

artist avatar

DUGA

Emerging artist Emerging artist
Best seller Best seller

128 fans

Ways, Belgium

112 works

Christian Dugardeyn (DUGA) is a Belgian artist born in Brussels in 1963. He is an artist of emotion and free expression. After an inescapable passage through the Fine Arts, he was able to emancipate himself from the artistic techniques taught and make his instinctive emotions (re)speak. He paints and sculpts viscerally, in a state of regression, on the margins of contemporary artistic trends.

He gives free rein to his emotions through different techniques, drawing, painting and sculpture remaining his favourite mediums. The early arts, African art, Oceanian art, Amerindian art, raw art, childish art have strongly marked him. It has its roots in it. Among the contemporary artists, Basquiat, Combas and the free figuration movement, Aléchinsky, Appel and the Cobra group, Picasso, Schiele and expressionism, Dubuffet and Art Brut, Street Art, ... have permeated his work. An artist cannot remain in his own corner, isolated. He must open up, reshape the influences of the past that speak to him.

In Picasso, Basquiat and Street Art, it is the distortions of the characters that interest him while keeping a certain anatomical fidelity and gesturality. The writing and graffiti of Street Art interest him by the fluidity and speed of the gesture as well as by the explosion of colors. Anything is possible.

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