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Cathédrale 2

$535
Drawing
One of a kind work
30 x 42 cm
Recipient of the dedication:

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Technique
Pencil drawing
Type
One of a kind work
Material
Paper
Dimensions
30 x 42 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

"This drawing belongs to the category that I call 'archi sketch', lively and brittle repetitive gestures that evoke quick freehand sketching. The framework of the drawing is freely composed from these gestures which aim at abstraction and finally makes appear a form to which I react or not. Here, a cathedral has imposed itself through the drawing. The flat areas of colour in watercolour underline this appearance. I use standard inks and felt-tip pens (watercolours here) without any prior pattern on the paper, no lines are anticipated and no strokes disappear." - Myriam Eyann

Note that the precise format of this drawing is 29.7x42 (A3 format).

artist avatar

Myriam Eyann

10 fans

SUILLY LA TOUR (58), FRANCE

55 works

Myriam Eyann comes from a family with multiple regional affiliations. She has established privileged ties in Burgundy where she currently lives.

Very early on, drawing took an important place, naturally extended by architectural studies. She continues to work on the trace, the search for what endures, to find what binds, "what insists on existing, in the words of Michel Tournier in Vendredi ou les limbes du pacifique", she says.

With drawing, writing and photography, it is also her own imprint that she tracks, that of her gestures, the human trace shared with the whole group.

Myriam Eyann works essentially with markers and felt-tip pens, so nothing is erased and without going back, the creative position of the human being, its foundations, its freedom, appear as the rest of a passage.

His influences are to be found in the intuitive and obsessive work of Art Brut artists, but also in American abstract expressionism, calligraphy and organic architecture.

"What appears below the lines when you take the time to lift them is one of the few things that I think makes sense. " - Myriam Eyann

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