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Cité lacustre

$322

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Technique
Pencil drawing
Type
One of a kind work
Material
Paper
Dimensions
30 x 21 cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

"Like all the "archi sketches" of this category, this drawing starts without any preliminary sketch, nor even a desire for form. However, it emerges as it is executed, through the short, brittle gestures of the freehand sketch. The sketch here evoked a modern building complex overlooking the sea. I then underlined this first trace to show the details of the buildings as I "saw" them. The paper used is A4-size white card stock. The entire sketch is done with black gel pen because it allows for precision, speed and flexibility." - Myriam Eyann

artist avatar

Myriam Eyann

18 fans

Suilly La Tour (58), France

43 works

Myriam Eyann comes from a family with multiple regional affiliations. She has established privileged ties in Burgundy where she currently lives.

Very early on, drawing took an important place, naturally extended by architectural studies. She continues to work on the trace, the search for what endures, to find what binds, "what insists on existing, in the words of Michel Tournier in Vendredi ou les limbes du pacifique", she says.

With drawing, writing and photography, it is also her own imprint that she tracks, that of her gestures, the human trace shared with the whole group.

Myriam Eyann works essentially with markers and felt-tip pens, so nothing is erased and without going back, the creative position of the human being, its foundations, its freedom, appear as the rest of a passage.

His influences are to be found in the intuitive and obsessive work of Art Brut artists, but also in American abstract expressionism, calligraphy and organic architecture.

"What appears below the lines when you take the time to lift them is one of the few things that I think makes sense. " - Myriam Eyann

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