Briques bleues

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Drawing
One of a kind work
50 x 65 cm
Free delivery (Continental France)
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Delivered with a certificate of authenticity

Technique
Pencil drawing
Type
One of a kind work
Material
Paper
Dimensions
50 x 65 cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

"This random drawing is structured from a single gesture, which I wanted to be as supple and slender as possible. He determined a red thread, a weft within which the bricks were randomly placed. Here, it was a question of respecting a monochrome shade of colour in the light blue range.

The technique that I call "random" is a basic graphic design, a base from which several explorations are elaborated over time. In most cases, and this is the case of this drawing, "randoms" lend themselves particularly well to tracing with markers.

In this technique again no anticipation, the only choice prior to drawing is that of graphics and colours, without any preparatory sketch. The red thread thus appears as the trace of a raw, untouched gesture." - Myriam Eyann

artist avatar

Myriam Eyann

5 fans

LA COMELLE (71), FRANCE

31 works

Myriam Eyann comes from a family with multiple regional affiliations. She has established privileged ties in Burgundy where she currently lives.

Very early on, drawing took an important place, naturally extended by architectural studies. She continues to work on the trace, the search for what endures, to find what binds, "what insists on existing, in the words of Michel Tournier in Vendredi ou les limbes du pacifique", she says.

With drawing, writing and photography, it is also her own imprint that she tracks, that of her gestures, the human trace shared with the whole group.

Myriam Eyann works essentially with markers and felt-tip pens, so nothing is erased and without going back, the creative position of the human being, its foundations, its freedom, appear as the rest of a passage.

His influences are to be found in the intuitive and obsessive work of Art Brut artists, but also in American abstract expressionism, calligraphy and organic architecture.

"What appears below the lines when you take the time to lift them is one of the few things that I think makes sense. " - Myriam Eyann

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