Cité interdite

$423

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Technique
Pencil drawing
Type
One of a kind work
Material
Paper
Dimensions
30 x 37 cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity
This drawing is an "archi sketch", a category of graphic design that looks for traces and forms of architecture, evocations of urban landscape. These sketches are constructed without prior sketches. The form gradually emerges as an obviousness, a sort of association of ideas, images and gestures. Here, the sketch quickly brought to mind the Forbidden City of Lhasa, which Alexandra David Néel tried to penetrate several times before becoming the first European woman to do so in 1924. Certainly, it is an interpretation of the vague memory of an image, yet it was her journey that I was thinking of at that moment. Her trace, irresistibly shaped this imaginary evocation, even if the real city of Lhasa does not resemble this sketch.this drawing is used on the labels of the products of the company Les voies épicées, for their Kampott pepper. It is made with gel pen, standard ink and pencil, on thick kraft paper.
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Myriam Eyann

7 fans

SUILLY LA TOUR (58), FRANCE

46 works

Myriam Eyann comes from a family with multiple regional affiliations. She has established privileged ties in Burgundy where she currently lives.

Very early on, drawing took an important place, naturally extended by architectural studies. She continues to work on the trace, the search for what endures, to find what binds, "what insists on existing, in the words of Michel Tournier in Vendredi ou les limbes du pacifique", she says.

With drawing, writing and photography, it is also her own imprint that she tracks, that of her gestures, the human trace shared with the whole group.

Myriam Eyann works essentially with markers and felt-tip pens, so nothing is erased and without going back, the creative position of the human being, its foundations, its freedom, appear as the rest of a passage.

His influences are to be found in the intuitive and obsessive work of Art Brut artists, but also in American abstract expressionism, calligraphy and organic architecture.

"What appears below the lines when you take the time to lift them is one of the few things that I think makes sense. " - Myriam Eyann

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