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Œil série entre autres

$842
Drawing
One of a kind work
50 x 65 cm
Recipient of the dedication:

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Technique
Pencil drawing
Type
One of a kind work
Material
Paper
Dimensions
50 x 65 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

"A strange drawing, carnal and organic, vegetal, on the verge of eroticism. A series about the desire to be with all its differences, in search of the freedom to exist... among others! This series starts in the summer of 2019. The drawings are executed with the bare minimum (a black ballpoint pen, pink paper), without any preliminary preparation, without any thread. An eye is drawn, but what seems to be an eyelid turns into lips, surrounded by twigs, or maybe hairs. You can look at it for a long time (rather with a certain distance), put it vertically or horizontally to see what you think you have seen. A game of multiple points of view.

artist avatar

Georges Drumez

7 fans

Marseille (13), France

17 works

Georges Drumez is a visual artist based in Marseille. Fascinated by the "side" of drawing and painting, by the stains, deposits, drips or traces, by the energy and dazzling nature of the accident, Georges DRUMEZ has developed over the years a process of improvisation, in which each drawing instinctively unrolls the thread of an interest in a line, a form, a sign... It seeks to print on paper the trace of a moment of pure presence to the gesture and the material, and to share a moment where the reflection stops but not the vital momentum. This work takes the form of abstract or figurative drawings in bic - or using a mixed technique that mixes bic and acrylic - most often monochrome or bicolour, on which appear a multitude of lines, broken or continuous lines, saturated or dilated volumes, recurring signs or repeated patterns. Questions of rhythm and movement (pressure, direction...) that testify to the moment of their creation, on a thread stretched between control and chaos. Sometimes, at the turn of these paths and in the volumes sculpted by these accumulations of lines and features, an organic figure appears, often ambiguous, which freely offers itself to the viewer’s interpretation.

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