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Aléatoire indigo

$867
Drawing
One of a kind work
70 x 50 cm
Recipient of the dedication:

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Technique
Pencil drawing
Type
One of a kind work
Material
Paper
Dimensions
70 x 50 cm
Framing
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Sold with a certificate of authenticity

"This random drawing is structured with the most supple and slender gesture possible. Within this frame, it was a question here of respecting a strictly monochrome shade of colour, i.e. a single marker (here Promarker Indigo Blue). The exploration is then that of the shape and the more or less strong shades of the same hue (the marker, unlike the paint, is not covering. This technique allows to play on the transparency of the hue by superimposing layers to accentuate the opacity). What I call "random" are my basic graphics, the base from which several explorations are elaborated over time. There is no anticipation as to form, the only choice prior to drawing is that of graphic technique and colour. There is no preparatory sketch. Either the composition "works" or it is itself a possible "sketch" for a new work."

artist avatar

Myriam Eyann

17 fans

Suilly La Tour (58), France

61 works

Myriam Eyann comes from a family with multiple regional affiliations. She has established privileged ties in Burgundy where she currently lives.

Very early on, drawing took an important place, naturally extended by architectural studies. She continues to work on the trace, the search for what endures, to find what binds, "what insists on existing, in the words of Michel Tournier in Vendredi ou les limbes du pacifique", she says.

With drawing, writing and photography, it is also her own imprint that she tracks, that of her gestures, the human trace shared with the whole group.

Myriam Eyann works essentially with markers and felt-tip pens, so nothing is erased and without going back, the creative position of the human being, its foundations, its freedom, appear as the rest of a passage.

His influences are to be found in the intuitive and obsessive work of Art Brut artists, but also in American abstract expressionism, calligraphy and organic architecture.

"What appears below the lines when you take the time to lift them is one of the few things that I think makes sense. " - Myriam Eyann

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