Entre mailles

$508
Drawing
One of a kind work
42 x 30 cm
Recipient of the dedication:

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Technique
Pencil drawing
Type
One of a kind work
Material
Paper
Dimensions
42 x 30 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

This drawing is an exploration from archi sketches and the notion of limits. The solid areas become in themselves forms in negative that were present in the drawing or have escaped from it. The shapes and silhouettes of cities and buildings are at the heart of this unbridled search for cityscapes, domes and peaks. The form is lost the moment we find it, it turns around and expresses the opposites, what we see behind the lines or in between, thanks to and despite the chosen limits. It is always quite difficult and painful to make this choice, to eliminate one form to make another appear or even to make it disappear. It is this difficult balancing act that this drawing expresses. For this reason it is readable in two different orientations.

artist avatar

Myriam Eyann

5 fans

LA COMELLE (71), FRANCE

31 works

Myriam Eyann comes from a family with multiple regional affiliations. She has established privileged ties in Burgundy where she currently lives.

Very early on, drawing took an important place, naturally extended by architectural studies. She continues to work on the trace, the search for what endures, to find what binds, "what insists on existing, in the words of Michel Tournier in Vendredi ou les limbes du pacifique", she says.

With drawing, writing and photography, it is also her own imprint that she tracks, that of her gestures, the human trace shared with the whole group.

Myriam Eyann works essentially with markers and felt-tip pens, so nothing is erased and without going back, the creative position of the human being, its foundations, its freedom, appear as the rest of a passage.

His influences are to be found in the intuitive and obsessive work of Art Brut artists, but also in American abstract expressionism, calligraphy and organic architecture.

"What appears below the lines when you take the time to lift them is one of the few things that I think makes sense. " - Myriam Eyann

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