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Protection

$862

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Technique
Pencil drawing
Type
One of a kind work
Material
Paper
Dimensions
50 x 70 cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity
This drawing belongs to the category of figurative randomness (see the drawings "Denizle", "Random 18-12" and "Madonna with sails"). Over time, the technique has become more precise, the figuration more obvious. Always depending on the weft and what I project into it, on what I see in it, the shape that emerges is a bet, a challenge, a real research. Here, a starting idea made me accept this improbable form, that of protection. In a very broad sense, it was a question of protecting a bubble, one's own, that of another person, that of a being in gestation, or even the human bubble or the earth microcosm. All these thoughts accompanied me during the making of this drawing, which is entirely done with a marker.
artist avatar

Myriam Eyann

14 fans

Suilly La Tour (58), France

55 works

Myriam Eyann comes from a family with multiple regional affiliations. She has established privileged ties in Burgundy where she currently lives.

Very early on, drawing took an important place, naturally extended by architectural studies. She continues to work on the trace, the search for what endures, to find what binds, "what insists on existing, in the words of Michel Tournier in Vendredi ou les limbes du pacifique", she says.

With drawing, writing and photography, it is also her own imprint that she tracks, that of her gestures, the human trace shared with the whole group.

Myriam Eyann works essentially with markers and felt-tip pens, so nothing is erased and without going back, the creative position of the human being, its foundations, its freedom, appear as the rest of a passage.

His influences are to be found in the intuitive and obsessive work of Art Brut artists, but also in American abstract expressionism, calligraphy and organic architecture.

"What appears below the lines when you take the time to lift them is one of the few things that I think makes sense. " - Myriam Eyann

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