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Forteresse braque

$546
Drawing
One of a kind work | Framed and Ready to Hang
30 x 42 cm
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Technique
Pencil drawing
Type
One of a kind work
Material
Paper
Dimensions
30 x 42 cm
Framing
Yes (50 x 50 cm)
Quality Guarantee
Sold with a certificate of authenticity

This drawing is part of the "archi sketches" and more particularly of the first attempts of this category of graphics initiated in 2013. The major influence of these first sketches is that of cubism, in particular with the work of Braque, discovered several years earlier at the beginning of my architectural studies. Here, without any prior desire however, the graphics supported what could hypnotize me in cubism. This drawing is inserted in a deliberately "slipped" marie-louise to accentuate the sketchy aspect. This marie-louise can be cut in width to adapt to the framing. To learn more about the elaboration of archi sketches, I suggest you consult the descriptive sheets of the drawings concerned where I successively approach particular points of this graphic technique, "Passerelle", "Mont parallèle", "Façades souvenir"...

artist avatar

Myriam Eyann

16 fans

Suilly La Tour (58), France

55 works

Myriam Eyann comes from a family with multiple regional affiliations. She has established privileged ties in Burgundy where she currently lives.

Very early on, drawing took an important place, naturally extended by architectural studies. She continues to work on the trace, the search for what endures, to find what binds, "what insists on existing, in the words of Michel Tournier in Vendredi ou les limbes du pacifique", she says.

With drawing, writing and photography, it is also her own imprint that she tracks, that of her gestures, the human trace shared with the whole group.

Myriam Eyann works essentially with markers and felt-tip pens, so nothing is erased and without going back, the creative position of the human being, its foundations, its freedom, appear as the rest of a passage.

His influences are to be found in the intuitive and obsessive work of Art Brut artists, but also in American abstract expressionism, calligraphy and organic architecture.

"What appears below the lines when you take the time to lift them is one of the few things that I think makes sense. " - Myriam Eyann

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