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Bombe 2

$321
Drawing
One of a kind work
21 x 30 cm
Recipient of the dedication:

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Technique
Pencil drawing
Type
One of a kind work
Material
Paper
Dimensions
21 x 30 cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

This "archi sketch" evokes a moment of rupture, necessary passages from one graphic design to another where the germ of a gesture will then develop independently. This is the case of the quick strokes in red watercolour felt-tip pens, quite different from sketches. As if the sketch was not enough, as if it had to be scratched, almost burnt. A kind of inflammation, underlined by the part in reserve, the "hole". The title, although violent, is also associated with an exasperation with the world around us, and a deaf desire to destroy the rigid representation I have of it. (see also the sketch "Bomb 2").

It was made with ink, gel and watercolour pens.

artist avatar

Myriam Eyann

17 fans

Suilly La Tour (58), France

61 works

Myriam Eyann comes from a family with multiple regional affiliations. She has established privileged ties in Burgundy where she currently lives.

Very early on, drawing took an important place, naturally extended by architectural studies. She continues to work on the trace, the search for what endures, to find what binds, "what insists on existing, in the words of Michel Tournier in Vendredi ou les limbes du pacifique", she says.

With drawing, writing and photography, it is also her own imprint that she tracks, that of her gestures, the human trace shared with the whole group.

Myriam Eyann works essentially with markers and felt-tip pens, so nothing is erased and without going back, the creative position of the human being, its foundations, its freedom, appear as the rest of a passage.

His influences are to be found in the intuitive and obsessive work of Art Brut artists, but also in American abstract expressionism, calligraphy and organic architecture.

"What appears below the lines when you take the time to lift them is one of the few things that I think makes sense. " - Myriam Eyann

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