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Christophe MoulinierL'empereur

Emerging artist
Drawing
One of a kind work
50 W x 65 H cm
$814
Recipient of the dedication:

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Technique
Pencil drawing
Type
One of a kind work
Material
Paper
Dimensions
50 W x 65 H cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

The Emperor is a drawing about responsibility. The three monkeys of wisdom see no evil, hear no evil, speak no evil, but what about the responsibility to act? And if the masses remain unmoved by the damaging actions of a group or individual out of self-interest or cowardice, are they not equally responsible? If we are endowed with an intellectual or emotional intelligence that gives us an advantage over others, is it not our duty to use it wisely? For the artist, The Emperor is the expression of his questions about responsibility, politics, domination and submission. He questions his own responsibility as an individual by drawing a scene where an emperor who subjugated his fellow creatures thanks to their greed led the other species to their end. He thus represents the different eras of our History where individuals concerned with their own interests have led groups and societies, ultimately leading them to their own desolation.

The Emperor is one of the nine drawings in the 6VILISATION series, whose common thread is the sixth mass extinction (Holocene), which the artist uses to evoke his reflections on existence, both his own and that of our species. The animals represented here belong to the group of mammals and more particularly to the primates.

The drawing is made with a black technical felt pen on a white 160g/m² paper, which darkens somewhat with time and light, thus recalling its vegetal origin.

It is sold framed: a sleek and contemporary wooden frame (oak) with a width of 19mm.

Christophe Moulinier
France
Emerging artist
  • KAZoART artist since 2021
  • 8 works

From birth in the south of France to an assertive artistic practice, the course took shape through studies in the fields of architecture, graphics and cinema then borrowed for a few years the professional path of visual merchandising, shaping thus appreciably at the same time the eye, the spirit and the hand. The latter was then driven by the fascination of the living and the quest for meaning to put on paper the graphic expression of a divergent thought eager for philosophical questioning.

A search for balance in duality through the meanders of reflection, connecting reason to instinct and discreetly the viewer to the artist.

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