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Myriam EyannCroquis archi 180-22

Drawing
One of a kind work
21 W x 30 H cm
$373
Recipient of the dedication:

$30 Shipping (France)
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Technique
Pencil drawing
Type
One of a kind work
Material
Paper
Dimensions
21 W x 30 H cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

Sketch Series 2022

The architectural sketches are the essential drawings that I keep coming back to. Over the years the series express the fluidity of the moment, the mood. In this one, after 2 years of pandemic, something in my gesture let go to let appear more and more precise memories, something that I don't master at all though. Under the line, an abstract, unreal architecture appears, irresistible.

The architectural sketches, like all my drawings, are executed on the basis of a gesture, of a simple basic graphic design, without any prior desire for a result, without visualizing any composition in advance. Finally, with time they are improvisations, in search of the right rhythm, of the balance.

Myriam Eyann
France
  • KAZoART artist since 2020
  • 18 works sold
  • 54 works

Myriam Eyann comes from a family with multiple regional affiliations. She has established privileged ties in Burgundy where she currently lives.

Very early on, drawing took an important place, naturally extended by architectural studies. She continues to work on the trace, the search for what endures, to find what binds, "what insists on existing, in the words of Michel Tournier in Vendredi ou les limbes du pacifique", she says.

With drawing, writing and photography, it is also her own imprint that she tracks, that of her gestures, the human trace shared with the whole group.

Myriam Eyann works essentially with markers and felt-tip pens, so nothing is erased and without going back, the creative position of the human being, its foundations, its freedom, appear as the rest of a passage.

His influences are to be found in the intuitive and obsessive work of Art Brut artists, but also in American abstract expressionism, calligraphy and organic architecture.

"What appears below the lines when you take the time to lift them is one of the few things that I think makes sense. " - Myriam Eyann

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