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ARTLOVER150

De l'autre côté

$1,110
Have it delivered before Christmas
Painting
One of a kind work | Ready to Hang
60 x 81 cm
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Technique
Acrylic painting
Type
One of a kind work
Material
Mounted Canvas
Dimensions
60 x 81 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

Outside/in.... The canopies are an invisible border between the outside and the inside. It’s fun to paint, because it’s enough to add a few vertical lines for the landscape to take on another meaning: separated from us, it’s just a spectacle.

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Dominique de Gaudric

Best seller Best seller

143 fans

paris (75), France

49 works

Dominique de Gaudric invites us to contemplate precise moments. She freezes a scene, recreates emotions and, even when the locations are empty – as is the case for the residential interiors she lays down on canvas – ensures they emanate a feeling of rest.

Painting the richness of the world

Originally from Belgium, Dominique de Gaudric lived in Spain, Canada and the Ivory Coast before settling down in France. This rich and cosmopolitan youth is almost certainly what gave her a taste for observing and depicting the world in all its variety. She began painting figurative landscapes as a teenager without relying on any specific techniques.

Her career took a turn when she began working in the world of haute couture, an environment which inspired her with its new settings. After many years without painting, she later returned to her first love and began taking classes at the Beaux-Arts in Paris.

Contemplating the inside of the outside

Dominique de Gaudric’s work focuses on a handful of recurring themes: large residential interiors in which items act as characters, and landscapes depicted with vigorous strokes. Fascinated by colour and light, she aims to produce pieces in which her sensibilities can communicate with those of the observer.

De Gaudric gives free rein to her creative process, sometimes working from a photo or a model, creating distance without losing the original authenticity of the subject.

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