Play chernobyl

$1,541
Painting
One of a kind work
28 x 28 in
Recipient of the dedication:

Free delivery (France)
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Delivered with a certificate of authenticity

Technique
Acrylic painting
Type
One of a kind work
Material
Canvas
Dimensions
28 x 28 in
Framing
Quality Guarantee
Sold with a certificate of authenticity

"This image is taken from a screenshot during a "visit" to Chernobyl on the Internet via Google Maps. Chernobyl is a strong symbol of our time, a warning that we seem not to want to hear. The answer to the evils of humanity is always: technology. Technology needs energy.

Chernobyl is the first contemporary archaeological site destroyed by human hands, thanks to its intelligence, its ability to invent, a remnant of a civilization executed by its need for energy, a kind of Easter nuclear island, a history that repeats itself exponentially.

This work is significant for my current work, for my interest in the damaged things that tell us the story of Man, these artifacts impregnated with the passage of life, an aesthetic resulting from destruction, poetry due to the wear and tear of time.

This work stems from a series that began in early 2018, which began with "huts in the trees", my vision of a middle class, often young, educated and paradoxical. I used both these colors: cheerful, strange, sinister, unrealistic to express the invisible, which is the main presence in Chernobyl today." - Patrick Santoni

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artist avatar

Patrick Santoni

8 fans

ANGERS (49), FRANCE

56 works

Santoni Patrick is a visual artist who lives and works in France. He made his debut in Street Art during his studies at the Beaux Arts. From the very beginning his work was controversial, as time went by, the aesthetics became more simplified and tended towards advertising posters. Like Gerhard Richter, the artist constantly questions his work.

In 2010 he took a new direction in landscape research with photographic support. His landscapes always have that note of protest that characterizes the artist, they reveal an ideological commitment, a societal drift, sometimes underlined by the title, they are often linked to the hopes born in childhood shattered by the disillusionment of adulthood. His work is now present in many private collections in the United States (New York, Miami, Texas, Los Angeles) and Europe (France, Italy, United Kingdom, Sweden) and in a public collection, in 2004 one of his works on paper entered the collection of the "National Taiwan Museum of Fine Arts" in Taipei, Taiwan.

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