Le jardin d'umka

$3,978
Painting
One of a kind work
100 x 200 cm
Recipient of the dedication:

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Technique
Acrylic painting
Type
One of a kind work
Material
Canvas
Dimensions
100 x 200 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

In his universe, man and woman get along, love each other, address each other with enamored looks, surround the magnificent fruit of their union, child bird, delighted among flowers, seaweed and tails of wild animals united to the ballet of flora. The work dreams of a poetic relationship with nature, of an aesthetic relationship, the work revives the vapours of an edenic vision read again in the light of woman. The work dances on the theme of the reign of women.

artist avatar

Michael Relave

SAINT DIDIER SUR CHALARONNE (01), FRANCE

7 works

Michael Relave's very singular and captivating works have to do with imaginary mythologies, perhaps vaguely inspired by Indian, Asian, African or Australian deities, alchemical drawings, icons and pious images. They are invented in disparate kingdoms to create an image essentially dedicated to the celebration of women, roundness and fertility. The woman as the delicious belly button of the world. Women as a guarantee of a living and viable world. The celebration of the radiant woman among the proliferation of her metaphysical tools, splendid in the heart of her sublime blossoms of breasts or metonymic flowers of the female sex. But also, the work, which sings of fertility, exalts, in a beautiful, peaceful and proliferating imaginary, the associations of phallic images and forms (towers, reptiles), the celebration of pairing (couple of superb birds) and that of female fertility, aerial, represented for example by a superb female bird carrying a child at arm's length. Here too, in transcending borders, humanity and animality are combined or reconciled. This is undoubtedly the origin of this representation of the sphinge (a female creature hybrid between being and animal, the air and the earth) which presents a tree of life in front of a skull, an exacerbation of this idea of the woman who affirms life against the signs of death, the new flowering above decrepitude. Deny Louis Colaud

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