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Dame attablée au courlis

$412
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Painting
One of a kind work
50 x 40 cm
Recipient of the dedication:

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Technique
Acrylic painting
Type
One of a kind work
Material
Paper
Dimensions
50 x 40 cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

Drawing on an acrylic placemat made at the Café Le Courlis in Paris 14th arrondissement.

"This pretty lady was having lunch alone, looking out the window at passers-by. Her serene attitude in her solitude, the bright color of her sweater, her bright white hair inspired this pochade. Wherever I go, I take with me my palette of acrylic ink markers with which street art paint cans are usually filled. I compose my colours myself and also sometimes use some Posca markers.

More practical to work on the spot than traditional painting, I like their ultra-fast drying time, their dense pigmentation and their high coverage which allows to work in layers. The supports are often coloured paper or cardboard, sometimes textured as here, tablecloths or newsprint. Involving the support in the drawing by keeping it very visible in places, in reserve, gives an identity to the graphic style. The idea of a snapshot is reflected in the choice of this medium, which comes directly from the scenery of the sketched scene." - Sasha C. Bokobza

Sold fixed on Canson paper to reinforce the retention of the paper and with a passe-partout, everything can be easily removed.

artist avatar

Sasha C. Bokobza

Emerging artist Emerging artist

26 fans

Paris (75), France

20 works

Sasha C. Bokobza works according to reality, movement and emotion. When they are alive, her models are the people she meets whose silhouette, gait and body inspire her with a singular emotion. It is the inner movement that animates the bodies she questions through drawing and observation. The notion of snapshots is also important, often she captures her drawings in a few minutes in the subway, on a street corner, at a concert, she keeps her equipment always with her: markers filled with acrylic paints and brown paper.

The landscapes also inspire him, often urban or related to water, the sea. The emotion of a sky crossed by clouds, its reflection in a lake. Light plays a key role and Sasha C. Bokobza is committed to studying the color of the moment. Night ambiences are part of his field of investigation. Every being, landscape or object is constantly crossed by a sum of events, sometimes accidents, that transform its trajectory and form. They set themselves "in motion" in the continuity of this trajectory from their origin to the moment they meet them.

These intentionally and emotionally driven masses tell him stories that he must observe and interpret. Some of his sketches made on the motif give rise to large-format oil painting in the studio. At this point, it is a question of revisiting the memory, this time by using its own inner dimension, the oil allows this, unlike the quick sketch where Sasha C. Bokobza is more of a receiver.

His latest series, "L'homme au chapeau", is a series of portraits featuring men turning their backs more or less. The costume is important here, it is a question of studying further the area of the shoulder, neck and head highlighted by the cut of a jacket, a collar and the inclination of a hat. The hat is here the symbol of virility, transferring attributes of strength and power to these characters. The point of view places the viewer in the blind spot of these characters seen as silent cowboys.

In slight movement we don't know if they arrive or leave. From this angle we can perceive the mystery that surrounds them and that provokes both fear and attraction. It is her gaze as a woman who questions herself on this opaque patriarchal figure, without judgment, and in the observation of her own desire. The work takes place in the workshop and in two stages: a first phase of research with the model to find the angle, movement, drape, light and emotion that Sasha C. Bokobza fixes in sketches, a second phase without the model where she executes an oil in large format according to her studies.

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