"I seek to paint the precarious balance between being and appearing, and thus, to reveal the human. Technically, it is the lightness of the glaze, the transparencies, which oppose the material applied to the knife, extremes that find a harmony through superposition games." - Claudie Gimeno
Claudie Gimeno needs gravitation, antagonism of forces to feel this life flowing under the facade of the skin "the deepest part of man" as Paul Valéry reminds us. She searches more than she plows these bodies. In it, she seeks, as a recuperator of Emmaus, the plot that can testify to the commitment of being according to the orientations that nature has imposed on her.