Douceur vénitienne

$819
Painting
One of a kind work
61 x 50 cm
Recipient of the dedication:

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Delivered with a certificate of authenticity

Technique
Acrylic painting
Type
One of a kind work
Material
Canvas
Dimensions
61 x 50 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

On a summer evening: the sound of the lapping of the gondolas adds to the softness of the atmosphere. The reflections of the cathedral in the water of the Grand Canal add to this soothing atmosphere. A few flat areas of bright paint representing buildings and small boats contrast in technique with the softly painted water of thin superposed layers. The colours are in dark blues; blue-green for orange-brown water, champagne and light blues for the top of the painting protected by a glossy acrylic varnish dated, signed, ready to hang on the wall a certificate of authenticity and invoice are sent with the painting

artist avatar

Valérie Le Meur

35 fans

GIF SUR YVETTE (91), FRANCE

63 works

His first paintings already represented factories, characters from everyday life. Already, she painted her first scenes by highlighting the light, the colours and by framing these scenes in a very personal way.

Valérie Le Meur works with acrylic and inks. Acrylic is a material that suits her because she works by quick touches, she is impatient and this technique allows her to give her painting a speed, a raw aspect, sometimes violent, she is in the urgency of the moment.

His paintings are representations of contemporary, urban reality. She works from photos she takes, chooses and frames. The work of composing the painting is almost entirely done at that time. What she is looking for above all is an atmosphere. Characters that you can guess from behind the windows of a building, the conversations you hear in a pub.

She will gladly ignore the reality of a shape or colour, or perspective. She wants to get the spectators into her paintings, she has set the scene and invites them to imagine their own scenario. Valérie Le Meur is a humanist painter, the human being is at the heart of her paintings; whether it is represented or underlying. We see them or we guess them. Behind a building facade, in a crane, behind the theatre curtains. She is not looking for the conceptual or the pleasant.

His paintings are a mark of our contemporary world: a theatre, a factory or a building under construction, a museum that drowns under the effect of rising water. A testimony of our daily life in our urban environment that it wants to keep for future generations. With a part of a dream....

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