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Lagerfeld

$2,708

Sold

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Delivered with a certificate of authenticity

Technique
Acrylic painting
Type
One of a kind work
Material
Mounted Canvas
Dimensions
80 x 100 cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

Technique: Acrylic paint and aerosol spray on high quality canvas Painting format: Rectangle Support: Canvas mounted on XXL frame (8 cm thick).

Edges: The edges are painted allowing the work to be hung immediately without framing.

Finish: Two coats of acrylic varnish to protect the work.

Painting signed lower right and countersigned on the back The work is delivered certificate of authenticity.

artist avatar

vincent bardou

Emerging artist Emerging artist
Best seller Best seller

298 fans

Vitry-sur-Seine (94), France

249 works

Through his paintings, artist Vincent Bardou presents us with a vision of his own world. With a unique and audacious style that can be constituted as a mix of Pop Art and Street Art, he paitns subjects such as Che Gevara, Darth Vador, Pablo Picasso, Nelson Mandela and Mickey, each with its own message waiting to be received by the viewer. These messages usually concern a current event or situation or are a tribute to an individual.

Portraits that convey a message

Vincent Bardou began drawing at the age of six. From the beginning, he was influenced by the urban environment and its expression. This inspiration led him to perfect his graffiti techniques over the years. After a short career as a designer, he decided to devote his life to painting at the age of twenty five.

Whether it be portraits of individuals in pop culture or great icons, Bardou always treats his subjects with passion and curiosity.

Only one step from the walls to the canvas

Vincent Bardou’s technique is just as unique as his art: he depicts characters or animals through the use of a stencil, or certain collages that can be seen on city walls, thus making art pass from the street to the canvas. He adds his ultra-coloured touch through the use of spray paint, which creates a striking contrast for the eye. His subjects then appear “glued” to the background.

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