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Black season 2

$462
Painting
One of a kind work | Ready to Hang
50 x 50 cm
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Technique
Acrylic painting
Type
One of a kind work
Material
Mounted Canvas
Dimensions
50 x 50 cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

A new series inspired by the tachism movement of Georges Mathieu, hans Hartung, pollock, Paul Jenkins. Another interpretation of forms and composition where the fluidity of the paint is the driving force of the process. More and more anchored in the "action painting" movement, this work explores both the alchemy of textures but also projected, stretched, scratched, living forms. This new process is totally in line with my artistic evolution with always this will to seek the immediate emotion and restore it as purely as possible.

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Ines Khadraoui

Best seller Best seller

157 fans

paris (75), France

89 works

Ines Khadraoui took her first steps into the world of visual creation through applied arts and more particularly graphic design (ESDI Creapole Design School, Paris). Today, she works as an artistic director for a communication agency, in parallel with her work as an artist. For twenty years, she has experimented with different techniques and media to enrich her field of professional creativity and express her own perception of the world in the service of major brands.

Driven by a growing desire to dedicate herself to her own artistic work, Ines Khadraoui delivers her first works to us, inspired by her unique interpretation of nature.

"Challenging himself to produce new commissioned creations is very exciting but takes us away from our own intimacy as artists", and it is in this state of mind that his first large-format canvases were born. By reassigning its own creative space, free of any external constraints, its artistic differentiation regains its place in everyday life. The figurative style that characterized his professional work is gradually being abandoned at the expense of a more abstract free style where the unpredictable and emotional interpretation regain all their legitimacy.

Her first works reflect, beyond their first-rate expression, this ambivalence of two artistic cohabitations that have imposed themselves on her in a totally disordered way. Gradually, the puzzle takes shape, the inner mutation operates and is reflected in Ines’ paintings by a free gestural movement but controlled by her deep instinct. Do not submit to any law, just paint emotions through the prism of observation, arouse feelings to reach the most intimate part of each of us.

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