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A381

$942
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Painting
One of a kind work | Ready to Hang
40 x 40 cm
Recipient of the dedication:

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Technique
Acrylic painting
Type
One of a kind work
Material
Mounted Canvas
Dimensions
40 x 40 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

A381 belongs to the series of "abstract landscapes". What is immediately striking are the material effects of this work. The marble powder mixed with acrylic and applied with a knife in successive layers gives a thick and very matt material. The border between figuration and abstraction is tenuous here and the interpretations can differ infinitely, from one viewer to another but also from one moment to another, and this is very good because this is precisely what interests the artist.

artist avatar

Laurence Moracchini

Renowned Artist Renowned Artist

32 fans

LE VÉSINET (78), France

57 works

I live and work in Le Vésinet in the Paris region.
After years of figurative work, I wanted to "let go". The abstraction that I call "figuration-abstract" to define my work allows me this freedom of creation.

Through my painting, I invite the viewer to walk through imaginary landscapes. Working in series, some are more abstract and purified, others more figurative where everyone sees different evocations, I never give titles to my paintings, just a reference so we imagine and finally it is good because imagination is freedom.
I work with acrylic filled with marble powder, it is an additive that I appreciate for the different effects of matter it can obtain and for its matt finish.

Generally (certainly partly in order to escape the anguish of the white canvas) I start my paintings with large black flat areas, drips, scratches... then the layers of color overlap, very quickly: it is the hand that guides the mind.

My paintings are often unrecognizable from one day to the next. I keep track of the different stages, either through the visible, the perceived or the "repentant", and through the interplay of superpositions the balance of the canvas is gradually created.
I don’t "premeditate" my paintings, every morning when I return to my studio, it is a new adventure that begins and in which I throw myself by privileging the gestural energy.

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