Everything starts in the Ardennes, very (too?) close to our Belgian friends so... Free access to my dad’s workshop very early on, allowing me to tinker as I wanted with everything that went with it... or almost! Always out there searching, turning, scratching... that’s probably what gave me a taste for eroded, worn-out materials. Then a meeting with a drawing teacher in high school, then in high school, despite a scientific section.
The explosion of graphzines, block 11, Dusex, zut-prod, collaborations with Loulou Picasso, Y5P5, Placid, Peltex and others... screen printing productions made in the kitchen, collages, folding, etc.. And then one day, the crazy idea of taking brushes with real paint. Since then, everything has been a pretext for working on it.