MAXINE (NATCH)

Through a figurative, spontaneous and singular painting, Maxine (formerly called Natch) a mixture of multiple influences: the traditional approach to nude drawing, sculpture, contemporary street art, graphics and Indonesian art. She imagines faces or compositions made of simplified silhouettes, capable of telling stories, expressing the effervescence of life and suggesting the essence of being. The acrylic, brush, on brush, on brush, canvases or on walls, it addresses existentialist themes by asking questions, for example, on our relationship to oneself, to the other, to money or to nature. Symbols, topical facts, in order to take the spectator to the heart of our collective unconscious and our cultural heritage. Maintain crude and delicate, figurative and abstract, naive and hyperrealism, Maxine explores our paradoxical nature as well as the feelings of mystery or absurdity relating to our existence.