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Printemps au rajasthan

Painting
One of a kind work | Ready to Hang
169 W x 147 H cm
private sale-20%
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Technique
Acrylic painting
Type
One of a kind work
Material
Mounted Canvas
Dimensions
169 W x 147 H cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

The beginning of spring is always marked in India, in Rajasthan, by a marvellous festival called "the festival of colours". A hymn to life inspired by colours, budding, blossoming and birdsong. This large format painting invites us to a dazzling and soft palette of colours scattered with a knife. Will require a custom frame as the format is not standard. Shipped in a tube.

artist avatar

Clara Crespin

France

KAZoART artist since 2018
14 works sold

Emerging artist Emerging artist
161works

Clara Crespin’s work wavers between narrative figuration and lyrical abstraction. Working with painting, engraving and sculpture, she creates objects and paintings that examine the body as a source of sensations and raw emotions that go beyond codes.

Art that renders the invisible visible

Clara Crespin studied contemporary art at the Ateliers des Beaux-Arts de Paris. A multidisciplinary artist, her creations reflect internal conversations. They immerse her in a world in which everything effaced by time seems to be brought back to life. They are loaded with questions about her identity and her relationship with the divine and sacred. But above all they open a door into the dimension of the metamorphosis of the invisible revealed by the artist’s hand.

Weaving a guiding theme to tell a story

The tangles and connections found in Crespin’s work are simply a pretext for evoking the concepts of uprooting and duality; these are the guiding themes. The figures that appear bring her face to face with her roots and her relationship with the world.

Womankind, respiration and myths are just some of the themes that resonate through work which is also influenced by “Primitive Art”. Over her career, the artist has found herself nearing and attaining an unexpected depth.

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