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Nova 110

$2,492
Painting
One of a kind work
46 x 33 cm
Recipient of the dedication:

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Technique
Acrylic painting
Type
One of a kind work
Material
Wood
Dimensions
46 x 33 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

INTERIORS / LANDSCAPES painting/ acrylic works, natural pigments, graphite tip and satin varnish. Anglo-Saxon painting inspiration: Edouard Hopper, David Hockney, Palm Spring, Cinema

The work of LOg/NOVA can be defined as a silent theatre Theatre, because each of his paintings is like a "stage", Silent, because silence is what is perceptible in each of his paintings. Silence of deserted streets, isolated houses, rooms that seem empty. A silence so dramatized and emphasized that it becomes one of the themes. A setting waiting for an event. Time is very elongated. A stretched time, almost contemplative.

One of the qualities of Nova/LOg's painting is to bring in the thought of what will happen the next moment. In fact, in an apparently frozen scene, one expects something to happen. The whole of this work has an eminently photographic character.

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nOva

Renowned Artist Renowned Artist
Best seller Best seller

137 fans

LYON (69), France

90 works

The artist NOVA offers an apparent simplicity. Simple yet mysterious, banal yet poetic, familiar yet unfathomable settings. The artist composes in this series of works images with a process of simplification. In fact, the works are always very bare, and include few elements that are decorative or ornamental. The art of nOva appears as an art of subtraction. NOVA's work can be defined as a silent theater. Each of his paintings is a staging, silence is perceptible in each of his works.

Figurative painting can transcend reality through its realism, and bring a notion other than descriptive, otherwise his work becomes a kind of story edge - illustration. The abstract painting as for it can have erased the suggestive elements of the reality, without losing foot for all that, without forgetting the concern of the real and its experiment. In both cases, we can even say that the border is a space of freedom: that of creation. The painting is not in the choice of a figurative or abstract camp.

On the theoretical level, NOVA practices this abstraction in the ethymological sense of the term. By a composition which generates meaning without referring directly to the concrete first of all. Then, by an idealization of the forms and the features which allow the representation of a subject. By that the subject is no longer a simple object, but a story, a pictorial speech. Painting is for her a language in the strict sense, which is not satisfied to seek the trace of the world such as it is offered to our eyes.

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