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One of a kind work | Ready to Hang
160 W x 120 H cm
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Acrylic painting
One of a kind work
Mounted Canvas
160 W x 120 H cm
Quality Guarantee
Sold with a certificate of authenticity

Linen canvas on wooden frame, 3 cm thick. Red borders and edges (no need for framing). Acrylic and Posca markers. The canvas is varnished. It is signed on the front (bottom right). The title of the canvas and the official stamp are affixed to the back. It is provided with a hook. Landscape mode 160 x 120 cm.

Description: The original image is a photo of the dictator Kim Jong-un. It can appear as it is disturbing or even disturbing or revolting for a Westerner who lives in a space of relative freedom. The great helmsman is smiling broadly, surrounded by his many admirers. Everyone applauds in a general movement of jubilation. The cult of appearance under cover of exactions, violence and arbitrariness. It is a game of fools.

Genesis: At the beginning, the reproduction of a photo with the intention of diverting it without precise goal. Then the meeting with manga characters with big joyful eyes. The scene of jubilation is diverted to appear in a westernized world. Is the dictator visiting a free country for a show of which he has the secret? Has the West finally become a tyranny? Has North Korea conquered the world? There is no real intention to create a beautiful image: the numerous characters are not very well developed. They are just ants and do not deserve as such, a high-flying treatment. The few mobile phones reveal a possible space of freedom. But aren't the invisible networks themselves muzzled by the power in this space? The green of the uniform dominates the color space with pink as a counterpoint.

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KAZoART artist since 2018
81 works sold

Best seller Best seller

Frob is an artist who finds his inspiration by looking closely at the things around him. As he wanders around, he makes unique connections which he transposes into his comic-book like artworks.

A compulsive and spontaneous artist

Frob develops his pieces with his emotions and searches. In his exuberant work, he frees form and colour by creating a cartography that connects each element. His works become denser, with an abundant, hypnotic and colourful graphic style.

From thick black felt to bright colours

Frob’s work instinctively evokes characters from comic books mixed with the style of New York graffiti artists from the 1980s. But it is what he sees in his everyday life that leads him to reproduce – first with thick black contours, then in bright colours – that which lives around him. A spontaneous and energetic stroke translates Frob’s clashing universe which is so often governed by the impulses of his perception.

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