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Cindy NikolicMains d'airain

Painting
One of a kind work | Ready to Hang
120 W x 30 H cm
$997
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Technique
Acrylic painting
Type
One of a kind work
Material
Mounted Canvas
Dimensions
120 W x 30 H cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

This painting is part of the series "Hommes sculptures". Starting from the photo of a person to represent it as a sculpted object, such is the process set up in this series.

The background is plain and matte, it underlines the subject in the manner of the walls of a museum scenography. By using the codes of the different styles of sculpture and by removing the clothes, the models are taken out of their time to evoke a timeless aspect. The colors of skin and hair are unified with the use of tints of different materials borrowed from the sculpture. The expression of faces is at the heart of the artist's work, in this painting is represented the expressiveness of the hands. The gestures of a person can also be characteristic and recognizable, this work is considered a portrait.

The imaginary sculpture is designed with the two hands separated and not on the same base, imagining that they could be arranged in different ways.

Cindy Nikolic
France
  • KAZoART artist since 2015
  • 95 works

Born in 1983 in Paris, I live and work in Savigny sur Orge in Essonne.

My favourite subjects are facial expressions - which I have studied extensively - including the anatomy of muscles and the different movements they allow. An expression is only a moment, it is also a vector of emotions, and that is what has always fascinated me. I found in painting, a way not to freeze, but to amplify an emotion to communicate it.

I work in series of paintings or drawings. In general, everything starts from a meeting. I can also be very inspired by music and performing arts. When I explore a subject, I like to look at it from a rational point of view and feel it to experience its pure emotion. I very often start from dictionary definitions to refer to a reliable source, and I superimpose my feelings on it, this is what starts my reflection: I feed myself on the discrepancies that can result from it. I take drawn, written or photographic notes that I use as material to move on to painting.

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