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Julien SamaNe suis-je qu'une antenne ?

Painting
One of a kind work
60 W x 80 H x 1 D cm
$1,634
Recipient of the dedication:

$98 Shipping (France)
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Technique
Mixed media
Type
One of a kind work
Material
Cardboard
Dimensions
60 W x 80 H x 1 D cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

Painting made with acrylic with collage of imitation leather patterns. The painting, realized as a portrait, represents a masked man with a cyborg and asymmetrical appearance. Moebius said that he was an antenna that captured and represented images or messages from elsewhere. Matisse said that sometimes his hand no longer belonged to him and that someone else was painting in his place. What is an artist? Where does his creativity and visions come from? How much leeway does he have over what he creates?

This painting represents the solar, Apollonian side of creativity. The two goldfinches, fine music lovers, rest like any other birds on antennas.


Can be sold framed, if requested.

Julien Sama
France
  • 18 works

Young artist, Julien Sama uses mainly painting and drawing as a means of experimentation and expression. His main areas of research are science, mainly astrophysics and biology, but also philosophy, history, literature and spirituality.

"Through my art, I try to share my "quest for freedom" in a social and visual context where hyperconnectedness and control are dominant. Through a conceptualization of space and time, I propose to put into abyss repeated patterns in different works, so that a visual extension of my perceptions of the world is effective. In the manner of a "borderless universe" expressed by cosmologist Stephen Hawking, I explore the absence of boundaries and seek to go beyond the edges and limits of my images." Julien Sama

This quest for space is illustrated as much by the presence of the stars (sun, moon, desert, space stations) as by games of fusion and transformation of painted subjects. Decuplicating a motif, distorting and complexifying it to better lose oneself in it, becomes a curious and captivating game for the spectator, a sort of fantastic journey to the heart of an almost parallel world. Inhabited by references as much pictorial as philosophical or scientific... He then opens the doors of a world that he describes as "sensitive, both childlike and mature". Unceasingly, the visuals come to reactivate motives of the history of the art, the architecture, but also of the mass culture or the information, while elaborating new landscapes, impregnated of light and vivacity:

All these images serve the ambition of a cosmogony of an inner world, with its own codes, laws and archetypes. Finally, he does not want his art to remain hermetic, while he has always chosen titles that function as windows to our sensitive world.

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