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Nathalie SizaretFragile

Confirmed artist
Painting
One of a kind work | Ready to Hang
97 W x 130 H x 2 D cm
$5,171
Recipient of the dedication:

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Technique
Mixed media
Type
One of a kind work
Material
Mounted Canvas
Dimensions
97 W x 130 H x 2 D cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

With this painting the artist suggests the lightness and fragility of being. The feathers symbolize this fragility. The ailed here are more an ornament than a possibility of flight. The winged character seems to advance by walking.

Nathalie Sizaret
France
Confirmed artist
  • KAZoART artist since 2019
  • 56 works sold
  • 101 works

The enigma of existence Nathalie Sizaret's work is an exploration of two parallels: philosophical and plastic, on canvas and paper. She works with figuration because the body, the vulnerable and fragile human being, is at the centre of the question and the element of the answer. Art is an alchemy, inner transformation allows the transformation of the world. A mystical approach to art Nathalie Sizaret lives and works in the Paris region. She finds her inspiration in the gesture of painting. Spontaneously, intuitively, without a preparatory drawing. The years spent working on anatomy and morphology at the School of Fine Arts now allow him to do without the model, giving him complete freedom to search in the canvas for what will eventually "appear". Lulled by centuries of creation and a permanent musical background in her studio, Nathalie Sizaret explains that painting the intimate image of the body, naked, in all its forms and colours, is a way of "probing the mystery". The inner journey Nathalie Sizaret's sensitive and singular work, her tight palette of natural shade and grey earth, awakened by orange and red flashes, invites us to stop and travel in silence and still in front of each of her canvases, in front of each of these stories that the backs, faces, hands, wings of these beings tell without words, which she submits to our gaze "There are the worlds that inhabit her and those who come to her without her will being involved in it [...]" (Jean Charbonnier)

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