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Emotions en mouvement 3

$951

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Technique
Mixed media
Type
One of a kind work
Material
Wood
Dimensions
100 x 150 cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

"Everyone knows what an emotion is, until we ask for a definition" - B. Fehr & J.A. Russel

The work done here is an attempt to describe human emotions painted line by line. The technique used could be similar to the seismograph. The illustration presented here attempts to show the evolution of feelings in a given time. Given the format of the work, it is possible to think that there is a logical sense of reading, with a beginning and an end. The purpose of this graphic experience is not to rationalize feelings, but to give a new approach to definition. It also implies a work of introspection, observation and questioning "Feelings are not supposed to be logical, the man who has rationalized his emotions is dangerous" David Borenstein

artist avatar

Florent Lubienicki

Emerging artist Emerging artist
Best seller Best seller

56 fans

BERLIN (10), GERMANY

25 works

Florent's work is focused on an awareness of the natural elements that surround us, the human condition, its relationship with time and space, meditation, introspection, and the unseen depth we have as humans. These imperceptible subtleties of living beings are an inexhaustible and vast source of inspiration and questioning. What challenges him in his approach and role as an artist today is the search for a visual form in the mind or in abstract notions of time and space. 

To counterbalance these very vague notions, science takes an important part in the artist's work as he attempts to rationalize the abstract or find a visual form in the rationale of science. His focus words are patience, concentration, and rigor. He tries, however, to stay as spontaneous as possible, to repeat simple gestures, and take credit for natural human mistakes. 

Today, as an artist, one must face the reality of a time when the world around us is moving at an extremely fast pace while the world within us does not. He does not want to dwell on external things, events or news. These notions are the opposite of what drives him. He is attracted to what exists "between the lines", the ellipses, the moments when our eyes are closed, the internal vision of a blind man, dreams and all that that is imperceptible. 

Through his works, he offers the opportunity to pause and listen to our feelings, to try to visualise them and to feel them, to interact with a moment stopped in time. The discipline of practices such as drawing, painting or sculpture enables the artist to work on himself through art. The focus is not on the result, but on the mental reflection and the physical state of the creation process. Every gesture is important because it influences the next. Every thought is important because it influences the gesture. Ceramics highlight this notion much more than drawing or painting because the clay has a much more present memory of each movement that is inflicted on it. 

Florent's process is comparable to a machine capable of transcribing graphically or in volume, the expression of the impalpable, invisible and indescribable in us and around us...A perfect balance between art and science.

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