Sans titre 2

$889
Painting
One of a kind work
73 x 100 cm
Recipient of the dedication:

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Delivered with a certificate of authenticity

Technique
Mixed media
Type
One of a kind work
Material
Canvas
Dimensions
73 x 100 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

Canvas made in live painting for the inauguration of "La Visitation" in Le Mans. This former convent was founded in 1634, rebuilt following a fire (1714) and an earthquake (1711), the convent buildings were transformed into a prison in 1793. The Le Mans court sat there until 1991 and the last prisoners of the prison stayed there until 2010. Today the Visitation gives an important place to culture since the imposing building houses Europajazz's headquarters, a theatre, a contemporary art centre (FIAA or Fonds International d'Art Actuel) and an art gallery. Matt varnish finishes, cotton frame, spray can and acrylic. Work signed and dated on the back of the canvas, with certificate of authenticity.

artist avatar

Peam's

119 fans

AMNÉ (72), FRANCE

81 works

Peam’s depicts the faces of strangers and shares his passion for graffiti with everyone. The faces stand out on a panel of bright spray-painted colours, evoking walls covered by urban street artists.

Asserting freedom of expression

Springing up originally on the walls of our streets and temporary in nature, street art, or urban art, has been adapted by Peam’s to make it merge with the canvas…

Graffiti artist, street artist and painter… an artist that refuses to be pigeonholed, asserting his freedom of expression and desire for his work to speak to as many people as possible. Today he lives in Sarthe, France, not far from Le Mans, where he works on a technique that combines the energy of colour and faces, quite unlike the work he produces on walls.

Capturing a smile or a face, on the go

Peam’s work on canvas goes back to his favourite aspects of graffiti – colour and energy. He aims to recreate this energy and draw the audience’s eye by telling a story, which explains his propensity to use faces as subjects.

Peam’s is fascinated by the repeated movement of a single hair and facial expressions, but above all by the look in people’s eyes and all that it has to say. When people ask, “Why this woman?” or “Who is she?” Peam’s joyfully replies that she is simply a woman who is smiling, a stranger for whom they can make up their own story. He creates artworks that everyone is free to interpret as they like. The artist is interested not in guiding or supporting the observer but in allowing them complete freedom to experience the piece as subjectively as possible.

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