Séve ou l'intrinsèque du tronc

$1,772
Painting
One of a kind work
50 x 50 cm
Recipient of the dedication:

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Technique
Mixed media
Type
One of a kind work
Material
Wood
Dimensions
50 x 50 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

Sap or the intrinsic part of the trunk Sap or the translation of plant and organic life. Is this an imaginary longitudinal section of a tree? the symbolism of lives under the bark? the birth, advent and primacy of a black moon? A spatial, cellular and anthropomorphic vision, Sève invites you to a walk through the heart of creation, it is a journey through life and its many manifestations and elucubrations. You will discover them by browsing through the added visuals. The thickness of the epoxy resin processed inks and pigments is 7 mm. The artist invites you to a journey where microcosm and macrocosm combine.

artist avatar

Sylvie Gedda

7 fans

PIÉGUT-PLUVIERS (24), FRANCE

20 works

I work and live in New Aquitaine France After several years of work on painting paste and movements (1st solo exhibition in Paris in 1981) I focused my work on fluidity and transparencies, a visit to the Musée de l'Orangerie was the trigger. From 2006 I decided to amplify the play of transparencies and to play more with reflections and lights. My favourite support has therefore become synthetic glass (100 x 100 cm plates painted on both sides). In the manufacture of oil paints, I have substituted epoxy resin, cast on the support and into which I introduce inks and pigments. The surface is shiny, solid and has different thicknesses depending on the superposition of the colour films processed within the resin. Since mid-2015, with this experience on synthetic glass, the return to the canvas has naturally become a reality. The resin having proved its worth (paintings installed outside: Arcachon waterfront, alleys of Sarlat,...) I therefore use the same technique on canvas and wood. My experience on synthetic glass allows me to anticipate the effects produced, to be able to manage and control them. I introduce inks with water, alcohol, pigments into epoxy resin that I pour on my support (canvas or wood). I work with glue spatulas of different widths that allow me to stretch or even turn over my prepared colours. I draw my shapes inside the resin using different wooden sticks, in an imaginary calligraphy and always renewed from the space. My sources of inspiration are inspired by Nature in the broadest sense: cosmic, microscopic, earthly, aquatic, human. It's life that interests me. I propose a work in all shades of diaphanous films, hoping to touch the viewer, offering him all the poetry of play of shapes, colours and lights so that he weaves secret links with Nature and reconnects with his imagination, his humanity, his essence, his bias.

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