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Goldomac urban

$538
Painting
One of a kind work | Framed and Ready to Hang
55 x 100 cm
Recipient of the dedication:

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Technique
Mixed media
Type
One of a kind work
Material
Wood
Dimensions
55 x 100 cm
Framing
Yes (55 x 100 cm)
Quality Guarantee
Sold with a certificate of authenticity

Back to the 80's with GoldoMac, a hybrid being, Goldorak with a Macintosh head. This table is part of a series of 4 variations. Here the "urban" version The painting is presented with a "house" frame as an integral part of the visual. Mixed technique based on acrylic, stencils, Poscas...

artist avatar

SeCaM

63 fans

Salon-de-Provence (13), France

77 works

SeCaM, aka Stéphane Castet-Moulat, born in 1972, self-taught painter, lives and works in Salon-de-Provence... After years of creating images for others as a computer graphics designer, the need to express his creativity in more personal "works" has become more and more pressing... "Devourer" of images, he took the plunge in 2015 and launched himself with passion and assiduity into the creation of paintings, drawing inspiration from collective memory, imagination, the media, cinema... pop culture, emerging from the themes: Cult objects of the 80s: Polaroid, Rubik Cube, Walkman... Cinema: Taxi driver, Pulp Fiction, Shining, The Lord of the rings....-Robots: hijacked goldoraks, imaginary robots...-Music: Bjork, Lou Reed, Hendrix...-Anakronik: Mona Lisa playing with her Goldorak, Gustave Courbet desperate in front of her Rubik’s Cube...SeCaM considers himself an artisan, passing from one technique to another (stencil, collage, acrylic, pastels...) to create a "beautiful work". The creative process remains the same: an idea, an iconographic research, then the realization of the work, with, as the last step, the phase of "deconstruction", of the painting ragingly thrown on the canvas. The result is colourful works, full of details, a mix of pop art and street art, with a touch of surrealism and derision. Intuitive or reflective gestures, bright colours or black and white, nostalgia or modernity, his approach always remains focused on a single goal: aesthetics.

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