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ARTLOVER150

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$2,151
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Painting
One of a kind work | Ready to Hang
120 x 160 cm
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Technique
Mixed media
Type
One of a kind work
Material
Mounted Canvas
Dimensions
120 x 160 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

DUGA's work is based on spontaneity and instinct. He is in perpetual questioning about the human being, for a work without end because he knows that his questions will remain forever unanswered. It is Man who interests him, his inner life, his sufferings, his joys, his joys, his sadness, his inconsistencies, his fears, his loneliness, his demons, his social life,... For a long time he used black as his main colour before highlighting it by associating it with brighter colours.

artist avatar

Christian DUGArdeyn

Emerging artist Emerging artist
Best seller Best seller

162 fans

Ways, Belgium

131 works

Through the use of a multitude of artistic mediums ranging from painting to sculpture, DUGA, brings together a particular aesthetic in his works. This Belgian artist finds his roots, his influences, in the primitive arts, African art, Oceanic art, Amerindian art, brut art but also in naive art.

Detach from academicism to create your own style

Born in 1963 in Brussels, Christian Dugardeyn (alias DUGA) is an artist belonging to the Free Expression movement. After an essential stint at the Fine Arts, he quickly freed himself from the artistic techniques taught to refocus on his instinctive emotions. He paints and sculpts viscerally, in a state of regression and on the fringes of contemporary artistic trends.

The reappropriation of his influences to give shape to his emotions

DUGA gives free rein to his emotions through different techniques: drawing, painting and sculpture. Among the contemporary artists who have permeated his work, we find among others Basquiat and Combas. From the free figuration movement, DUGA is notably inspired by Aléchinsky, Appel and the Cobra group. Without forgetting Picasso, Schiele and Expressionism as well as Dubuffet, Art Brut and Street Art. According to him, an artist cannot remain isolated in his corner, he must open up, soak up influences from the past in order to reshape them and create.

In Picasso, Basquiat and in Street Art, it is the deformations of the characters that interests him, with the preservation of a certain anatomical fidelity and gesturality. From Street Art, writings and graffiti, he particularly retains the fluidity and speed of the gesture as well as the explosion of colors.

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