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Les affinités électives III

$1,780
Painting
One of a kind work
70 x 55 cm
Recipient of the dedication:

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Technique
Mixed media
Type
One of a kind work
Material
Canvas
Dimensions
70 x 55 cm
Framing
Yes (75 x 60 cm)
Quality Guarantee
Sold with a certificate of authenticity

This work belongs to a series of paintings dedicated to transhumanism, as a philosophy and project aimed at increasing the human being and turning him into a kind of ultra-sophisticated machine that can be improved and repaired ad infinitum. The human figure tends to disappear behind technology, every organ, every piece of the body becomes like a piece of a puzzle that can be recombined infinitely. Here, "Les Affinités Electives III" shows a couple holding each other by the back in an embrace that is both distant and intimate, where we feel that the destructured elements of one body could be grafted onto the other body. The title is in reference to a novel by Goethe in which the writer tries to lay the scientific basis for explaining human relationships . This work is done in mixed technique on canvas and combines photography, digital composition and acrylic painting (glaze and relief squares). It is a unique piece. It is framed in black wood (total dimensions: about 75x60 cm).

artist avatar

Georges DUMAS

Renowned Artist Renowned Artist
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58 fans

Aubervilliers (93), France

92 works

For about ten years now, I have been creating paintographies. As its name suggests, a paintography is a mixture of painting and photography.

From photography, I keep the initial shot, an essential and unavoidable basis for the work to come. I also retain, despite all the successive manipulations carried out afterwards on the computer, the precision, finesse and plastic quality that certainly distinguish it from painting other than hyper-realistic. However, a paintography is not a photograph, it is a plastic construction that raises doubts in the eyes, that raises the question of the nature of the image that is offered to the eyes of the spectators. What part of the work was captured by the objective, what part recreated by the software work, what part brought by the acrylic glazes?

Layers, layers, stacks: despite its extreme readability, a paintography is a complex construction, based on a succession of screens. The fabric or skin never appears naked, they are always covered by a material that is as much a screen as it is a body with them. This matter is itself obscured by squares that seem either to detach from it or to deepen within it; by evoking the pixels at the base of any digital image, these squares remind us that this matter is a decoy, that it is virtual. And yet, in the works in mixed technique, it is precisely these squares that appear in relief on the surface of the canvas, in a strange transparent materiality...

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