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Sale

$3,365
Painting
One of a kind work
71 x 93 cm
Recipient of the dedication:

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Technique
Mixed media
Type
One of a kind work
Material
Wood
Dimensions
71 x 93 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

SALE, belongs to the "JANUS" series (wood, mirror, acrylic). In our increasingly narcissistic and egocentric world, where one seeks to impose one's individual thought as universal, we die of our limiting beliefs. They lock us into a cultural context, a given language, our personal experience or our prejudices. I activate this reflection through the hijacking of illuminated panels with scrolling messages that can be found in large metropolises such as New York in Times Square, London in Piccadilly Circus or the new ultra-modern districts of Shanghai.

It's about transforming our own individual reality to open up to other knowledge, other senses, other beliefs like this work which is still hesitating to move from 2D to 3D. Each painting is composed of a word of great banality which, taken out of its context, is written in capital letters. The LED, traditionally used, is replaced by mirror circles inlaid in a black background that reflect by fragmentation the voyeur and the space in which he is.

Each word is a French/English homograph, also called "false friends". It must be considered as two sides of the same medal to be observed in its entirety because the meaning and significance of each word varies according to the origin and culture of the viewer. The mirror, paradoxical from its conception (composed of transparency and opacity) is a producer of images and a source of reflection. Its surface invites us to reflect but only has meaning for the eyes that look at it. Used for the care of appearances, its presence is multiplied in societies celebrating self-contemplation, it is no less a window of personal reflection forcing self-knowledge.

Through the observation of one's own image "through" the word, the mirror becomes transparency and invites us into a mental field halfway between seeing and hiding, the beholder and the looked at, the self and the other, the ally and the other. Like a Janus caught between faith in the transparency and transcendence of being on the one hand, and the illusion and disillusionment of appearing on the other, where all truth is relative and where each individual must contribute to determining what is legitimate and what is not.

artist avatar

Richard Giacobetti

4 fans

Bordeaux (33), France

12 works

Self-taught and with a mainly figurative initiation, Richard Giacobetti takes thousands of photographs during his early years in an attempt to translate the influence of urbanism and architecture on the community.

Later, he spends many hours editing video footage to capture the fascination with the spiral of time and the use that each individual makes of it.

Through a long journey and numerous attempts, the encounter with so-called conceptual art became obvious when a single work produced encompassed everything he had previously tried to express with thousands of photographs and hundreds of hours of video.

A conceptual work is more complex for the viewer to grasp, yet the emotional power it produces on the voyeur may be stronger than the work itself. Notably through the activation of a process of introspection produced by the dynamics of emotions, feelings, imagination and thought. It is this process that Richard Giacobetti tries to activate through his works.

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