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Mindscape

$2,120
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Painting
One of a kind work | Framed and Ready to Hang
80 x 60 cm
Recipient of the dedication:

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Technique
Mixed media
Type
One of a kind work
Material
Mounted Canvas
Dimensions
80 x 60 cm
Framing
Yes (85 x 65 cm)
Quality Guarantee
Sold with a certificate of authenticity

"Mindscape" shows a faceless woman holding her head in her hands, as if she were experiencing a horror scene and trying to contain it inside her mind. The movement is turned slightly upwards, as if a response is expected from a god to whom a prayer is addressed. This painting speaks of mental landscape, of thoughts that obsess and take up all the space, of the inner gaze in which one is sometimes enclosed. This painting is a unique piece made in mixed technique on canvas and combines photography, digital composition and acrylic painting (many layers of transparent glaze and squares treated in relief with a blue pigment). The painting is framed in black wood (total dimensions: about 65 x 85 cm).

artist avatar

Georges DUMAS

Renowned Artist Renowned Artist
Best seller Best seller

85 fans

Aubervilliers (93), France

122 works

For about ten years now, I have been creating paintographies. As its name suggests, a paintography is a mixture of painting and photography.

From photography, I keep the initial shot, an essential and unavoidable basis for the work to come. I also retain, despite all the successive manipulations carried out afterwards on the computer, the precision, finesse and plastic quality that certainly distinguish it from painting other than hyper-realistic. However, a paintography is not a photograph, it is a plastic construction that raises doubts in the eyes, that raises the question of the nature of the image that is offered to the eyes of the spectators. What part of the work was captured by the objective, what part recreated by the software work, what part brought by the acrylic glazes?

Layers, layers, stacks: despite its extreme readability, a paintography is a complex construction, based on a succession of screens. The fabric or skin never appears naked, they are always covered by a material that is as much a screen as it is a body with them. This matter is itself obscured by squares that seem either to detach from it or to deepen within it; by evoking the pixels at the base of any digital image, these squares remind us that this matter is a decoy, that it is virtual. And yet, in the works in mixed technique, it is precisely these squares that appear in relief on the surface of the canvas, in a strange transparent materiality...

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