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Laurence MoracchiniMemories I

Confirmed artist
Painting
One of a kind work | Framed and Ready to Hang
80 W x 80 H cm
$2,158
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Technique
Mixed media
Type
One of a kind work
Material
Mounted Canvas
Dimensions
80 W x 80 H cm
Framing
Yes (87 W x 87 H cm)
Quality Guarantee
Sold with a certificate of authenticity

This work is the first in the "Memories" series in which the artist questions our relationship to time.
Laurence explains that she has always been fascinated by old decrepit walls. For their appearance, which she seeks to recover here, and for their "memory": what they have witnessed through time.

This work is marked by a certain nostalgia sublimated by the work with acrylic loaded with marble powder which gives a very beautiful matte material. The edge of the frame is painted light gray.

The work is signed vertically at the bottom left and on the back of the canvas.

It is framed in a white American box.

artist avatar
Laurence Moracchini
Confirmed artist
France

KAZoART artist since 2017

64 works sold

104 works

I live and work in Le Vésinet in the Paris region.
After years of figurative work, I wanted to "let go". The abstraction that I call "figuration-abstract" to define my work allows me this freedom of creation.

Through my painting, I invite the viewer to walk through imaginary landscapes. Working in series, some are more abstract and purified, others more figurative where everyone sees different evocations, I never give titles to my paintings, just a reference so we imagine and finally it is good because imagination is freedom.
I work with acrylic filled with marble powder, it is an additive that I appreciate for the different effects of matter it can obtain and for its matt finish.

Generally (certainly partly in order to escape the anguish of the white canvas) I start my paintings with large black flat areas, drips, scratches... then the layers of color overlap, very quickly: it is the hand that guides the mind.

My paintings are often unrecognizable from one day to the next. I keep track of the different stages, either through the visible, the perceived or the "repentant", and through the interplay of superpositions the balance of the canvas is gradually created.
I don’t "premeditate" my paintings, every morning when I return to my studio, it is a new adventure that begins and in which I throw myself by privileging the gestural energy.

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