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Laurence MoracchiniB365

Confirmed artist
Painting
One of a kind work | Framed and Ready to Hang
40 W x 40 H cm
$1,149
Recipient of the dedication:

$70 Shipping (France)
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Technique
Mixed media
Type
One of a kind work
Material
Mounted Canvas
Dimensions
40 W x 40 H cm
Framing
Yes (47 W x 47 H cm)
Quality Guarantee
Sold with a certificate of authenticity

"I am doing this series of abstracts in a way of letting go, in a kind of action-painting. I start with a black canvas, perhaps to escape the anguish of the white canvas and also because the colors are denser.

Then the painting is elaborated by layers of colors: coverings, erasures, scrapings, repentances... the surface then becomes sensitive between visible and perceived.

I always work with a very large knife and I use marble powder mixed with acrylic, which gives a beautiful, very matt material." Laurence Moracchini

The edge of the canvas is painted light gray.

Signature on the bottom right and on the back of the canvas.

Framed in white American box.

Laurence Moracchini
France
Confirmed artist
  • KAZoART artist since 2017
  • 64 works sold
  • 111 works

I live and work in Le Vésinet in the Paris region.
After years of figurative work, I wanted to "let go". The abstraction that I call "figuration-abstract" to define my work allows me this freedom of creation.

Through my painting, I invite the viewer to walk through imaginary landscapes. Working in series, some are more abstract and purified, others more figurative where everyone sees different evocations, I never give titles to my paintings, just a reference so we imagine and finally it is good because imagination is freedom.
I work with acrylic filled with marble powder, it is an additive that I appreciate for the different effects of matter it can obtain and for its matt finish.

Generally (certainly partly in order to escape the anguish of the white canvas) I start my paintings with large black flat areas, drips, scratches... then the layers of color overlap, very quickly: it is the hand that guides the mind.

My paintings are often unrecognizable from one day to the next. I keep track of the different stages, either through the visible, the perceived or the "repentant", and through the interplay of superpositions the balance of the canvas is gradually created.
I don’t "premeditate" my paintings, every morning when I return to my studio, it is a new adventure that begins and in which I throw myself by privileging the gestural energy.

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