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Laurence MoracchiniFar from here (A418)

Confirmed artist
Painting
One of a kind work | Ready to Hang
80 W x 80 H cm
$1,943
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Technique
Mixed media
Type
One of a kind work
Material
Mounted Canvas
Dimensions
80 W x 80 H cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

A418 is part of the "abstract landscapes" series. The line composition is recurrent. Of course everyone sees a landscape in it, although it is an imaginary landscape, as if idealized, that the observer can appropriate.

"That is why I don't give my works a title, so that everyone can interpret them freely. I am happy to hear that my landscapes are very serene.

I always work with a knife and I use acrylic and marble powder as mediums which give beautiful effects of materials and matity. The edges of the canvas are painted light gray." Laurence Moracchini

Laurence Moracchini
France
Confirmed artist
  • KAZoART artist since 2017
  • 64 works sold
  • 107 works

I live and work in Le Vésinet in the Paris region.
After years of figurative work, I wanted to "let go". The abstraction that I call "figuration-abstract" to define my work allows me this freedom of creation.

Through my painting, I invite the viewer to walk through imaginary landscapes. Working in series, some are more abstract and purified, others more figurative where everyone sees different evocations, I never give titles to my paintings, just a reference so we imagine and finally it is good because imagination is freedom.
I work with acrylic filled with marble powder, it is an additive that I appreciate for the different effects of matter it can obtain and for its matt finish.

Generally (certainly partly in order to escape the anguish of the white canvas) I start my paintings with large black flat areas, drips, scratches... then the layers of color overlap, very quickly: it is the hand that guides the mind.

My paintings are often unrecognizable from one day to the next. I keep track of the different stages, either through the visible, the perceived or the "repentant", and through the interplay of superpositions the balance of the canvas is gradually created.
I don’t "premeditate" my paintings, every morning when I return to my studio, it is a new adventure that begins and in which I throw myself by privileging the gestural energy.

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